tag:blogger.com,1999:blog-42799921928739518372024-03-13T02:56:13.256+00:00HILLBILLY-RESEARCHERHILLBILLY RESEARCHERhttp://www.blogger.com/profile/14123772521260646493noreply@blogger.comBlogger502125tag:blogger.com,1999:blog-4279992192873951837.post-47667942136392270612015-04-01T21:25:00.001+01:002015-04-01T21:25:52.307+01:00Problems with Audio Files<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">A couple of weeks ago I attempted to upload some audio files onto Divshare, but the site had a notice saying that they were having regular maintenance, which they did from time to time. </span></div>
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<span style="font-family: Verdana, sans-serif;">However, this went on for several days, which was rather unusual. When I finally managed to get into the site each time I tried to upload audio files I got an error message, I contacted the help line (via email) but never got a reply, so I emailed them again, and still no response. I noticed the other day when trying to log into Divshare that the site was temporarily suspended awaiting relaunch. What's going to happen when they relaunch Divshare is anyones guess.</span></div>
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<span style="font-family: Verdana, sans-serif;">Whilst we wait to see what's gonna happen next, here's an oddity for you to muse over.</span></div>
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<a href="http://4.bp.blogspot.com/-RfuOyxWHkuQ/VRxTd_MmjAI/AAAAAAAACKs/-Q893YwzMbU/s1600/RCA%2B47-5024.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://4.bp.blogspot.com/-RfuOyxWHkuQ/VRxTd_MmjAI/AAAAAAAACKs/-Q893YwzMbU/s1600/RCA%2B47-5024.jpg" height="400" width="388" /></a></div>
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<span style="font-family: Verdana, sans-serif;">This is the only copy of RCA 47-5024 that I have seen with colored wax, </span><span style="font-family: Verdana, sans-serif;">I suspect that this was a mistake.</span></div>
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HILLBILLY RESEARCHERhttp://www.blogger.com/profile/14123772521260646493noreply@blogger.com0tag:blogger.com,1999:blog-4279992192873951837.post-18407307723594358782015-03-01T18:30:00.001+00:002015-03-01T18:30:26.806+00:00DEAN TURNER & THE RED RIVER VALLEY BOYS<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">Not much I can to say about Dean Turner, The Red River Boys, Farris Hendricks, or Johnnie Harmon. The later was obviously inspired by Jimmy Rodgers, Harmon's self penned "Pretty Mamma Blues", could have come straight out of Rodger's own songbook. </span></div>
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<a href="http://1.bp.blogspot.com/-nE6vo9CaXI4/VPNYLuYhIAI/AAAAAAAACJg/2Nt9Z1LC4jc/s1600/CENT%2B101.A.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://1.bp.blogspot.com/-nE6vo9CaXI4/VPNYLuYhIAI/AAAAAAAACJg/2Nt9Z1LC4jc/s1600/CENT%2B101.A.jpg" height="400" width="388" /></a></div>
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<a href="http://3.bp.blogspot.com/-V1ye5EPKOvY/VPNYPMVyb-I/AAAAAAAACJo/uu5BksqTqsk/s1600/CENT%2B202.B.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://3.bp.blogspot.com/-V1ye5EPKOvY/VPNYPMVyb-I/AAAAAAAACJo/uu5BksqTqsk/s1600/CENT%2B202.B.jpg" height="400" width="393" /></a></div>
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<br />HILLBILLY RESEARCHERhttp://www.blogger.com/profile/14123772521260646493noreply@blogger.com0tag:blogger.com,1999:blog-4279992192873951837.post-33046438246292332132015-02-23T22:24:00.001+00:002015-02-23T22:24:39.150+00:00BRC RECORDS<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">The BROADCAST RECORD CLUB, or BRC as it was marketed, was based at 303 Bible Place, Cleveland, Tennessee. The label seems to have started sometime in 1952 (BRC 1002 is a Capitol custom pressing dating from July 1952). How this "Club" worked is a matter for speculation, assuming that the records were issued at regular intervals, there would have been 26 releases over a period of three and a half to four years, which works out to be something like two release, or three if BRC 1001 is included, in 1952, and then eight releases a year thereafter. As you can see from the flip side of BRC 1025, by The <span style="text-align: center;">BAHAMA'S BRASS BAND, material was taken from a variety of diverse sources. Some of the artists who recorded for BRC were familiar names in the Gospel fraternity, although the occasional typographical errors obscured the artist in question, take for example the WHIRLWIND EVANGELIST, is presumably The Whirlwind Evangelists who re-recorded "Ain't No Grave" for FORTUNE twelve months of so later, and is Howard Surrett, the Howard Seratt who recorded for both SUN and ST FRANCIS?</span></span></div>
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<a href="http://1.bp.blogspot.com/-95utmeKHnKY/VOo2F9WxZKI/AAAAAAAACIU/02Pbd612mNQ/s1600/brc%2B1012.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://1.bp.blogspot.com/-95utmeKHnKY/VOo2F9WxZKI/AAAAAAAACIU/02Pbd612mNQ/s1600/brc%2B1012.jpg" height="400" width="397" /></a></div>
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<span style="font-family: Verdana, sans-serif;">CAPITOL Custom Pressing DB 138 = 1954</span></div>
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<span style="font-family: Verdana, sans-serif;">Reverse of BRC 1012 is by THE NUNNERY SISTERS</span></div>
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<span style="font-family: Verdana, sans-serif;">"Something Within Me"</span></div>
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<span style="font-family: Verdana, sans-serif;">CAPITOL Custom Pressing DB 139 = 1954</span></div>
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<a href="http://4.bp.blogspot.com/-bOfyPleXx-A/VOpN5bisCCI/AAAAAAAACIk/TLyblDsb0y4/s1600/brc%2B1025.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://4.bp.blogspot.com/-bOfyPleXx-A/VOpN5bisCCI/AAAAAAAACIk/TLyblDsb0y4/s1600/brc%2B1025.jpg" height="387" width="400" /></a></div>
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<span style="font-family: Verdana, sans-serif;">CAPITOL Custom Pressing EB 121 = 1955</span></div>
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<span style="font-family: Verdana, sans-serif;">Reverse of BRC 1025 is by BAHAMA'S BRASS BAND</span></div>
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<span style="font-family: Verdana, sans-serif;">(From The Church Of God Of Prophecy, Nassau, Bahamas)</span></div>
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<span style="font-family: Verdana, sans-serif;">"The Call For Reapers"</span></div>
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<span style="font-family: Verdana, sans-serif;">CAPITOL Custom Pressing EB 122 = 1955</span></div>
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<a href="http://4.bp.blogspot.com/-XChmDa5bDRM/VOpOjBRfCxI/AAAAAAAACIs/KLvWaaOqVbk/s1600/brc%2B1028.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://4.bp.blogspot.com/-XChmDa5bDRM/VOpOjBRfCxI/AAAAAAAACIs/KLvWaaOqVbk/s1600/brc%2B1028.jpg" height="400" width="388" /></a></div>
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<span style="font-family: Verdana, sans-serif;">CAPITOL Custom Pressing FB 437 = 1956</span></div>
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<span style="font-family: Verdana, sans-serif;">Reverse of BRC 1025 is by HARPER HUNTER</span></div>
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<span style="font-family: Verdana, sans-serif;">"I Saw A Man" </span></div>
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<span style="font-family: Verdana, sans-serif;">CAPITOL Custom Pressing FB 438 = 1956</span></div>
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</span>HILLBILLY RESEARCHERhttp://www.blogger.com/profile/14123772521260646493noreply@blogger.com0tag:blogger.com,1999:blog-4279992192873951837.post-66277443617408586452015-02-15T18:54:00.001+00:002015-02-15T19:04:07.675+00:00BARNE'S RECORDINGS. Colorado Springs. Colorado<div class="MsoNormal" style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">Just when you think you’re getting a grip on things
something comes along to disabuse you of that notion. </span></div>
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<span style="font-family: Verdana, sans-serif;">Where do you start with the BARNE’S label?
it appears to be the second release on the label, assuming that is that there
is / was a release at 101 / 102, but that of course could be misleading and the
issue numbers 103 / 104 were applied to this record to give the impression that
this was a label with at least one other record under its belt!</span></div>
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<a href="http://3.bp.blogspot.com/-aNea7_efhCg/VODqTiLlBEI/AAAAAAAACH8/JjjT5fYNbkw/s1600/RBB%2B103.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://3.bp.blogspot.com/-aNea7_efhCg/VODqTiLlBEI/AAAAAAAACH8/JjjT5fYNbkw/s1600/RBB%2B103.jpg" height="400" width="396" /></a></div>
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<a href="http://3.bp.blogspot.com/-fnrMXSSwSAw/VODqh_Vc8UI/AAAAAAAACIE/JQZMsRLJvUo/s1600/RBB%2B104.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://3.bp.blogspot.com/-fnrMXSSwSAw/VODqh_Vc8UI/AAAAAAAACIE/JQZMsRLJvUo/s1600/RBB%2B104.jpg" height="400" width="382" /></a></div>
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<span style="font-family: Verdana, sans-serif;">Whilst you muse over the various options for the BARNE'S record let me introduce you to yet another mystery. Whilst perusing a copy of BILLBOARD’S 1949 Disc Jockey supplement, in particular the section entitled “Folk Recording Artists And Their Labels” I found a list of artists which hitherto I had not associated with the labels they were supposed to have been recording for. This list, compiled from reports submitted by recording companies (dated September 1949), may contain artists who were inked to a particular label but their recordings were never issued, or perhaps the individuals concerned, or the groups mentioned, were either uncredited vocalists or anonymous backing groups for some of the named artists who we know recorded for the recording company in question.</span></div>
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<span style="font-family: Verdana, sans-serif;">BLUE MOUNTAIN BOYS - COWBOY</span></div>
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<span style="font-family: Verdana, sans-serif;">ROY BRANNEN - COWBOY</span></div>
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<span style="font-family: Verdana, sans-serif;">AL CLAUSER - HARDMAN (Transcription Discs?)</span></div>
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<span style="font-family: Verdana, sans-serif;">JIMMY DALE - COWBOY</span></div>
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<span style="font-family: Verdana, sans-serif;">SHORTY FLETCHER - PAGE</span></div>
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<span style="font-family: Verdana, sans-serif;">CURLEY HERDMAN - COWBOY</span></div>
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<span style="font-family: Verdana, sans-serif;">AL HESSON - APOLLO</span></div>
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<span style="font-family: Verdana, sans-serif;">GENE HOOPER - PAGE</span></div>
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<span style="font-family: Verdana, sans-serif;">FAMOUS LASHUA - DOME</span></div>
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<span style="font-family: Verdana, sans-serif;">BILLY LEE - MAGNOLIA</span></div>
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<span style="font-family: Verdana, sans-serif;">WILD BILL McQUETER - BLUE BONNET</span></div>
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<span style="font-family: Verdana, sans-serif;">TEX MILTON - APOLLO</span></div>
<span style="font-family: Verdana, sans-serif; text-align: justify;">JACK PADGETT - </span><span style="font-family: Verdana, sans-serif; text-align: justify;">APOLLO</span><br />
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HILLBILLY RESEARCHERhttp://www.blogger.com/profile/14123772521260646493noreply@blogger.com1tag:blogger.com,1999:blog-4279992192873951837.post-21705708833701122352015-02-05T20:16:00.000+00:002015-02-05T20:27:05.931+00:00A COUPLE OF ODDITIES<div class="MsoNormal" style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">Neither recording featured here could be described at any stretch of the
imagination as Country or Hillbilly, yet each is relevant in its own way.</span></div>
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<span style="font-family: Verdana, sans-serif;">The first is an instrumental “Boogie Square” released in STARDAY’s
1000 “Square Dance” series. This </span><span style="font-family: Verdana, sans-serif;">recording, judging by the master numbers, dates from
sometime around mid 1954. “Boogie Square” was also issued with Calls on STARDAY
D-1002 (Master number 2167) credited to “BUZZ” BROWN With KAY RIGGS AND HIS ORCHESTRA.</span></div>
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<span style="font-family: Verdana, sans-serif;">Bob Bertram, who one assumes is the same Bob Bertram who
owned the BERTRAM INTERNATIONAL label, offers the original version of “Babies
And Bacon” which was covered by Roy Hogsed on CAPITOL. The flip side of “Babies
And Bacon” is “Your Just My Style” another song that was covered by Roy Hogsed
for CAPITOL. Both songs can be best described as POP, I have not recorded “Your Just My Style” due to the prominent
organ throughout .</span></div>
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HILLBILLY RESEARCHERhttp://www.blogger.com/profile/14123772521260646493noreply@blogger.com0tag:blogger.com,1999:blog-4279992192873951837.post-32775027600923887512015-01-25T20:50:00.000+00:002015-01-25T20:55:17.904+00:00DAVE McENERY (RED RIVER DAVE) "Jailhouse Blues"<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">Ol' Red River Dave rarely let an opportunity pass by without penning some ditty about the trials and troubles of life. T Texas Tyler attracted Dave's attention back in 1958 when Tyler was caught by the law in possession of a small amount of marijuana. I haven't been able to ascertain whether or not Tyler received a custodial sentence for this heinous crime? Whether he did or not is academic because Dave McEnery quickly recorded and released "Jailhouse Blues" on his own YODELING label, which I note from the label was issued in YODELING's "1958 Juke Box Series" which I suspect was the sole release in that particular series.</span></div>
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<span style="font-family: Verdana, sans-serif;">PLEASE NOTE "Did The Gypsy Lie?" is a bit noisy</span></div>
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HILLBILLY RESEARCHERhttp://www.blogger.com/profile/14123772521260646493noreply@blogger.com0tag:blogger.com,1999:blog-4279992192873951837.post-74365860577737188652015-01-18T20:54:00.000+00:002015-01-18T20:54:07.194+00:00BURCHFIELD BROTHERS<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">Another selection of Sacred Offerings, this time from The Burchfield Brothers, once again I have no idea who the Brothers were, where they hailed from, and did they record anything else other than the four recordings featured here. The master numbers suggest that there may be at least four unissued recordings sitting in the vaults somewhere.</span></div>
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<br />HILLBILLY RESEARCHERhttp://www.blogger.com/profile/14123772521260646493noreply@blogger.com0tag:blogger.com,1999:blog-4279992192873951837.post-10612368294875727062015-01-11T18:33:00.002+00:002015-01-11T18:33:23.234+00:00TURNER BROTHERS - ACORN EP<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">I have no idea which Turner Brothers these are; I assume that it is Red and Lige Turner, reunited after an absence of some fifteen years or so.</span></div>
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HILLBILLY RESEARCHERhttp://www.blogger.com/profile/14123772521260646493noreply@blogger.com1tag:blogger.com,1999:blog-4279992192873951837.post-13806714823317696012015-01-04T22:42:00.001+00:002015-01-04T22:43:59.459+00:00VIRGEL BOZMAN - HOT ROD RECORDS<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">Ry Cooder was once asked what was the most difficult task he had ever undertaken, without any hesitation Cooder replied "Trying to recreate that old valve sound in the recording studio". Every time I recall this I am reminded of recordings like Virgel Bozman's "Way Down Here In Mississippi", in which you can hear the lovely rounded tones of the unidentified guitarist.</span></div>
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HILLBILLY RESEARCHERhttp://www.blogger.com/profile/14123772521260646493noreply@blogger.com2tag:blogger.com,1999:blog-4279992192873951837.post-75127146207071631502014-10-19T18:58:00.000+01:002014-10-19T19:35:37.185+01:00RAYMOND WEBB on RICH-R'-TONE<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">The RICH-R'-TONE label, in its original incarnation, was a fascinating concern that turned out a esoteric selection of releases during the late forties and early fifties. Known primarily for its Bluegrass offerings, the label did release material from across the Country Music spectrum. Here is one of the later issues, an odd beast, which celebrates the musical diversity that was to be found on the label, Raymond Webb later had a release on KYVA, however, that was more mainstream Hillbilly. I just love the pianist, who may or may not be John Henry Eston, the composer of "Bucket Special".</span></div>
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HILLBILLY RESEARCHERhttp://www.blogger.com/profile/14123772521260646493noreply@blogger.com0tag:blogger.com,1999:blog-4279992192873951837.post-91852246818351839362014-10-11T20:25:00.000+01:002014-10-11T20:30:37.416+01:00JACK CARDWELL - JIM FOLSOM Campaign Songs<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">Alabama state Governor "Big" Jim Folsom was first elected to office in January 1947, his four year term ending in January 1951. Folsom served a second term as Governor from 1955 to 1959. In 1962 he stood again, but was defeated in the primaries by George Wallace, who then went on to be elected as Governor. Prior to Folsom's run off against George Wallace Jack Cardwell recorded two campaign songs in 1962 for Folsom. The first was a single sided King Custom pressed disc on the LE NOIR label on which Cardwell was accompanied by Luke McDaniel and his band. Although the record label states that the recording is three minutes long, in reality the song only runs for one minute thirty six seconds. The second song was a commercial release issued on the Alabama CINEMA label, the flip side of this release was by Roland Johnson, who turns in a decent rendition of Arlie Duff's "Y'All Come".</span></div>
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HILLBILLY RESEARCHERhttp://www.blogger.com/profile/14123772521260646493noreply@blogger.com0tag:blogger.com,1999:blog-4279992192873951837.post-32019624665118336912014-10-05T19:49:00.002+01:002014-10-05T20:07:58.441+01:00THE MILLER BROTHERS - SOME EARLY RECORDINGS<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">Before recording for the 4 STAR label, the Miller Brothers made a dozen sides for a DELTA Label, first in Dallas, and then (later) in Wichita Falls. Here we have the four sides, recorded around 1947, at the ULTRA TONE Recording<span style="background-color: white; color: #333333;"> Studios in Dallas.</span> According to Prague Franks' Miller Brothers discography the band's line up was <span style="background-color: white; color: #333333;"> </span><span style="background-color: white; color: #333333;">Jay Starnes (Vocal – where noted). Sam Gibbs
(Guitar), Leon Gibbs (Fiddle), Nat Gibbs (Bass), Lee Cochran (Trumpet), Forrest
Fulcher (Sax), Clyde Smith (Sax), Pauline Fulcher (Piano), Bob Steed (Drums).</span></span><br />
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<span style="font-family: Verdana, sans-serif;"><b>NOTE - FOLLOWING AUDIO FILES ARE NOISY</b></span></div>
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<span style="font-family: Verdana, sans-serif;">Thanks To Phil Tricker</span></div>
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<span style="font-family: Verdana, sans-serif;">MILLER BROTHER DISCOGRAPHY</span></div>
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HILLBILLY RESEARCHERhttp://www.blogger.com/profile/14123772521260646493noreply@blogger.com0tag:blogger.com,1999:blog-4279992192873951837.post-2491519677848716102014-09-28T19:43:00.001+01:002014-09-28T19:43:17.801+01:00CECIL CAMPBELL - PALMETTO RECORDS<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">One of Cecil Campbell's more obscure releases, the second side features a vocal duet by Cecil Campbell and Millard Pressley. To the best of my knowledge this is the only secular recording that features Millard Pressley, an artists who is normally associated with gospel material, look out for his excellent BLUE HEN disc.</span></div>
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<br />HILLBILLY RESEARCHERhttp://www.blogger.com/profile/14123772521260646493noreply@blogger.com1tag:blogger.com,1999:blog-4279992192873951837.post-1483236786435137522014-09-25T20:16:00.003+01:002014-09-25T20:17:21.576+01:00BEN & MILDRED JACKSON - GALA RECORDS<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">I've been trying, on and off, to set up a Country / Hillbilly / Bluegrass Gospel blog. I can't quite get it as I want it, I shall persevere and hopefully will find a solution to the way I want to lay out the blog. In the meantime here's a nice little gospel record from Georgia .</span></div>
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HILLBILLY RESEARCHERhttp://www.blogger.com/profile/14123772521260646493noreply@blogger.com2tag:blogger.com,1999:blog-4279992192873951837.post-77700476328556199292014-09-13T20:29:00.004+01:002014-09-13T20:29:53.430+01:00VANDERGRIFT BROTHERS - KING<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">I thought it would be nice to have all the Vandergrift Brothers KING recordings in one place, so here are the two known releases on the label. Billboard reported, 30th March 1963, that the Brothers were recording for KING, which I assume refers to the release shown below (KING 5533).</span></div>
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HILLBILLY RESEARCHERhttp://www.blogger.com/profile/14123772521260646493noreply@blogger.com4tag:blogger.com,1999:blog-4279992192873951837.post-47819741922510613462014-09-08T20:08:00.003+01:002014-09-08T20:12:47.950+01:00VANDERGRIFT BROTHERS - ESGEE RECORDS<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: Verdana, sans-serif;">The Vandergrift Brothers, Don, Ronnie, and Darrell, were regulars on WWVA's Worlds Original Jamboree from Wheeling, West Virginia. Prior to their recordings for Hardrock Gunter's ESSGEE label in 1962, the brothers had recorded for the COZY label in 1959, and would later record for both KING, and the Wheeling EMPEROR label. Four of the six ESSGEE recordings were subsequently reissued on a RURAL RHYTHM album.</span></div>
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<br />HILLBILLY RESEARCHERhttp://www.blogger.com/profile/14123772521260646493noreply@blogger.com2tag:blogger.com,1999:blog-4279992192873951837.post-16078130956669102092014-09-01T14:26:00.002+01:002014-09-13T20:19:46.552+01:00JACOBY BROTHERS<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">There is an excellent piece on The Jacoby Brothers to be found on HILLBILLY-MUSIC.COM (cut and paste the following into your browser -http://www.hillbilly-music.com/groups/story/index.php?groupid=11653</span></div>
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<span style="font-family: Verdana, sans-serif;">in which Gene's son Wade outlines the brothers story. </span></div>
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<span style="font-family: Verdana, sans-serif;">I once read an article on the Jacoby Brothers which stated something to the effect that Red River Dave (Dave McEnry), who was apparently the Brothers manager at the time, set up the TNT label in partnership with Bob Tanner as a vehicle to promote the brothers, and some of the other artists he managed, as well as himself. This notion is given some credence by the fact that McEnry is involved in one way or another in the majority of the early releases in the TNT 1000 series, which date from 1953 and 1954, but I don't think his involvement was long term.</span></div>
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<span style="font-family: Verdana, sans-serif;">45rpm copy of TNT 1001(Thanks to DrunkenHobo)</span></div>
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<span style="font-family: Verdana, sans-serif;">BILLBOARD 6th February 1954</span></div>
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<span style="font-family: Verdana, sans-serif;">(Above) Australian issue of "Bicycle Wreck"</span></div>
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<span style="font-family: Verdana, sans-serif;">A later version of "Bicycle Wreck" by The Geezenslaw Brothers on which they added an additional verse! </span></div>
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<a href="http://2.bp.blogspot.com/-KwLGf1Gu0NY/VARo8m4d5wI/AAAAAAAACAw/8XaL0INn-HY/s1600/COL%2B1%2Bscan.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://2.bp.blogspot.com/-KwLGf1Gu0NY/VARo8m4d5wI/AAAAAAAACAw/8XaL0INn-HY/s1600/COL%2B1%2Bscan.jpg" height="400" width="396" /></a></div>
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<span style="font-family: Verdana, sans-serif;">Master Number CO 51833</span></div>
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<span style="font-family: Verdana, sans-serif;">Recorded 29th July 1954</span></div>
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<span style="font-family: Verdana, sans-serif;">Master Number CO 51834</span></div>
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<span style="font-family: Verdana, sans-serif;">Recorded 29th July 1954</span></div>
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<span style="font-family: Verdana, sans-serif;">Master Number CO 51835</span></div>
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<span style="font-family: Verdana, sans-serif;">Recorded 29th July 1954</span></div>
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<a href="http://4.bp.blogspot.com/-wxc8sfckmVE/VARpYTPBx-I/AAAAAAAACBI/YbtgPWXMYoQ/s1600/COL%2B4%2Bscan.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://4.bp.blogspot.com/-wxc8sfckmVE/VARpYTPBx-I/AAAAAAAACBI/YbtgPWXMYoQ/s1600/COL%2B4%2Bscan.jpg" height="400" width="397" /></a></div>
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<span style="font-family: Verdana, sans-serif;">Master Number CO 51836</span></div>
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<span style="font-family: Verdana, sans-serif;">Recorded 29th July 1954</span></div>
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<span style="font-family: Verdana, sans-serif;">Their COLUMBIA session was supposedly the last time they recorded together as the Jacoby Brothers. However, there was a release on TNT in 1961 credited to The Jacoby Brothers; it has been suggested that this was earlier material, but musically, with drums and piano, it fits the later period of time!</span></div>
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<a href="http://1.bp.blogspot.com/-xCY-yqzMrnI/VARuq8HR1GI/AAAAAAAACBc/I9BD0v2uoq0/s1600/TNT%2B186%2BA.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://1.bp.blogspot.com/-xCY-yqzMrnI/VARuq8HR1GI/AAAAAAAACBc/I9BD0v2uoq0/s1600/TNT%2B186%2BA.jpg" height="393" width="400" /></a></div>
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<span style="font-family: Verdana, sans-serif;">"Counting Drops Of Rain" clearly generated some interest as Larry Nolan recorded the song for the RONO label</span></div>
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<span style="font-family: Verdana, sans-serif;">acknowledgements: William Agenant's COLUMBIA 78 RPM Record Listing 20001 thru 21571 (Joyce Record Club Publication - 1996) for Columbia master numbers and recording date.</span></div>
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<span style="font-family: Verdana, sans-serif;">Here is one that I completely overlooked, I am indebted to the DrunkenHobo for drawing this release to my attention. Reverse is "Dream Dust", record dates from 1956</span></div>
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HILLBILLY RESEARCHERhttp://www.blogger.com/profile/14123772521260646493noreply@blogger.com2tag:blogger.com,1999:blog-4279992192873951837.post-5552094796465353062014-08-26T14:01:00.004+01:002014-08-28T19:41:22.128+01:00ATLANTIC "Folk And Western Series"<div style="margin-bottom: .0001pt; margin: 0cm; text-align: justify;">
<span style="font-family: Verdana, sans-serif;">In the
mid / late Forties many of the larger independent recording companies, like ALADDIN,
APOLLO, ATLANTIC, and MODERN, tested the market to see if they could secure a share
of the growing Country & Western record sales. No focus groups were
involved, no slick marketing analysis, they just seemed to have put out a hand
full or more of records, over a relatively short period of time, and monitored
sales. It is interesting to ponder what might have happened if anyone of the
aforementioned labels enjoyed significant sales of one of their Country
releases, I doubt if they would have reviewed their marketing strategy, as all
were fairly established as purveyors of quality R&B and Blues, although it
might have led to the formation of a subsidiary company as a vehicle for
Country music, who knows it's only a little bit of indulgent speculation. <o:p></o:p></span></div>
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<span style="font-family: Verdana, sans-serif;">Peter
A. Grendysa's excellent little booklet "ATLANTIC Master Book #1" from
1975 provides us with recording dates, location, details of unissued titles,
etc. Now nearly forty years old my well thumbed copy is still the source of
much data on all the early aspects of the ATLANTIC story, that was £2.00 well
spent (that would have been $4.00 to our American cousins)<o:p></o:p></span></div>
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<span style="font-family: Verdana, sans-serif;"><b>ATLANTIC
721</b><o:p></o:p></span></div>
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<span style="font-family: Verdana, sans-serif;">Both
sides were recorded at the APEX Recording Studio New York City on 23rd
August 1949. Note subtle change to the lyrics of “Drinkin’ Wine
Spo-Dee-O-Dee”.<o:p></o:p></span></div>
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<span style="font-family: Verdana, sans-serif;"><b>ATLANTIC 722</b></span></div>
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<span style="font-family: Verdana, sans-serif;">Both sides were recorded at the APEX Recording Studio New York City on 28th September 1949. Bands name changed from Pleasant Valley Boys to The Buckeye Buddies!</span><br />
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<span style="font-family: Verdana, sans-serif;"><b>ATLANTIC 723</b></span></div>
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<span style="font-family: Verdana, sans-serif;">I'm not sure if the guys at Atlantic knew where to place this release, in any event they dropped it into the 700 series, but removed from the label any mention of The "Folk & Western Series"? In its place are the old familiar musical </span><span style="font-family: Verdana, sans-serif;">descriptions</span><span style="font-family: Verdana, sans-serif;"> "Fox Trot" and "Novelty" .</span><span style="font-family: Verdana, sans-serif;">Both sides were cut at Apex in February 1950. </span><span style="font-family: Verdana, sans-serif;"> It would appear that Pete Sherman's Showboys, credited here as The Playboys, provide the musical accompaniment. I must admit that I can't think of many Western themed songs ("Rebel Yell!") which feature kettle drums!</span></div>
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<span style="font-family: Verdana, sans-serif;"><b>ATLANTIC 724</b></span></div>
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<span style="font-family: Verdana, sans-serif;">Pete Sherman and His Playboys recorded five sides for ATLANTIC at the Apex studio in April 1950. The three unissued titles are (396) "Padlock On My Heart" 9397) "There's A Blue Sky Way Out Yonder", and (400) "When My Dreamboat Comes Home", the vocalist on the issued sides was one Freddie Hughes. You will note from the label scans that the notation "Folk & Western Series" is still absent from the label, although "Yesterday's Dreams" is described as a "Folk Ballad". Pete Sherman later recorded for ARDENE label (posted here 18th May 2010)</span></div>
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<span style="font-family: Verdana, sans-serif;"><b>ATLANTIC 725</b></span></div>
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<span style="font-family: Verdana, sans-serif;">The notation "Folk & Western Series" returns to the label of ATLANTIC 725. These recordings were purchased, from whom it is not noted, on 12th June 1950. A total of four songs were acquired, the two unissued titles were (448) "I Did Everything To Make You Happy" and (449) "If All My Heartaches Were Roses"</span></div>
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<span style="font-family: Verdana, sans-serif;"><b>ATLANTIC 726</b></span></div>
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<span style="font-family: Verdana, sans-serif;">Another batch of purchased masters, although this time just the three titles, which were acquired, possibly from Lillian Claiborne down in Washington DC, in June 1950. The unissued title from this selection was "Road Of Heartaches" (461). Humorous little label misprint, ATLANTIC 725 is credited to The Howington Brothers and His Tennessee Haymakers? Apart from Dub Howington, who played lead guitar, his brother Roy, bass, the band on these recordings may also include Eddie Dean on accordion, with possibly Herbie Jones on Rhythm Guitar.</span></div>
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<span style="font-family: Verdana, sans-serif;"><b>ATLANTIC 727</b></span></div>
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<span style="font-family: Verdana, sans-serif;">For many collectors Bill Haley's release is the Jewel in the Crown of ATLANTIC's "Folk & Western Series". Unfortunately I do not have an original copy of the ATLANTIC disc, but I do have a copy of the belated English release of the record, issued in the United Kingdom in 1956. Thanks to "DrunkenHobo", who supplied label scans for ATLANTIC 727, I can now confidently state that the MELODISC label credit of Bill Haley And The Comets is incorrect, it is as you can see from the scans Bill Haley And His Saddle Men. ATLANTIC purchased four masters from James Myers (aka Jimmy DeKnight) in September 1950. The two unissued sides are (524) "Teardrops From My Eyes" and (525) "Loveless Blues".</span></div>
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<span style="font-family: Verdana, sans-serif;">ATLANTIC 727 scan courtesy of "DrunkenHobo"</span></div>
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<span style="font-family: Verdana, sans-serif;">Thanks also to Slim D for his offer of scans</span></div>
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<span style="font-family: Verdana, sans-serif;">ATLANTIC master number (522)</span></div>
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<span style="font-family: Verdana, sans-serif;">ATLANTIC 727 scan courtesy of "DrunkenHobo"</span></div>
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<span style="font-family: Verdana, sans-serif;">Thanks also to Slim D for his offer of scans</span></div>
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<span style="font-family: Verdana, sans-serif;">ATLANTIC master number (523)</span></div>
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<span style="font-family: Verdana, sans-serif;">The seven records above does not represent the sum total of ATLANTIC's "Folk & Western" output. In 1953 they put out a record by Buddy Hawk And His Buddies "The Death Of Joe Stalin (Good Riddance)" / "Painting The Big Town" ATLANTIC 7024. There is also the vexed question of Billy Grammer's PLAZA release, it has been suggested that PLAZA was an ATLANTIC subsidiary. Grammer's material was recorded at Radio Station WWDC, Washington, DC and purchased by ATLANTIC in January 1950. There is no notation on label of the PLAZA release that the label was part of ATLANTIC, nor can I find any other reference to PLAZA in the ATLANTIC files. Why didn't they release the two sides in their newly launched "Folk & Western Series", they had already recorded material by Loy Gordon, and the first release in the series was probably out or imminent when ATLANTIC acquired the material in January 1950?</span></div>
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HILLBILLY RESEARCHERhttp://www.blogger.com/profile/14123772521260646493noreply@blogger.com0tag:blogger.com,1999:blog-4279992192873951837.post-85990495674624675662014-08-20T19:44:00.000+01:002014-08-20T19:44:54.251+01:00BILLY WELLS - ECHO RECORDS (Austin. Texas)<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">The Austin based ECHO label contains quite a few interesting items, here we have a disc by Billy Wells, accompanied by His Western Swing! The most notable thing about this record is that Jack Tripplett is the vocalist, as well as the composer of "I Heard Someone Cry". I have no idea when these two sides were recorded, but I could venture a guess at 1959 (a guess based upon the issue number 5900). Tripplet recorded for the San Angelo based K-PEP label (a 4 Star custom affair) back in 1956; I assume K-PEP was the call sign of a local radio station down in San Angelo, The Phantom Rider Trio (which may or may not include Tripplett) had the adjacent release on K-PEP. The flip side is a pleasant take on pianist Peter DeRose's 1933 composition "Deep Purple" which contains so some nice guitar and fiddle work.</span></div>
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HILLBILLY RESEARCHERhttp://www.blogger.com/profile/14123772521260646493noreply@blogger.com0tag:blogger.com,1999:blog-4279992192873951837.post-84244476222174622252014-07-31T19:44:00.002+01:002014-07-31T20:12:18.344+01:00Another Excellent Record!<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">Having resolved the problem of uploading sound files, more by luck than judgement to be honest, I can now get back to posting the odd obscurity. As this matter was fixed both unexpectedly and all of a sudden, I didn't have anything lined up for this post, fortunately I had a couple of things sitting about, so it's pot luck this time.Here's a little gem from the Ohio EXCELLENT label by Dave and Cornny, the Dave is clearly Dave Woolum, whilst the Cornny appears to be a Mr Cornelius, about whom I know absolutely nothing, mind you apart from reeling off a list of labels that Dave Woolum recorded for, there's not a lot I can say about him either.</span></div>
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HILLBILLY RESEARCHERhttp://www.blogger.com/profile/14123772521260646493noreply@blogger.com0tag:blogger.com,1999:blog-4279992192873951837.post-37451462977004051322014-06-19T20:48:00.001+01:002014-07-29T12:58:53.119+01:00LULA BELL SI<div class="separator" style="clear: both; text-align: justify;">
<span style="font-family: Verdana, sans-serif;">I seem to have encountered a rather serious technical problem, whilst I can upload scans and type text, I cannot embed audio files. As yet I am unable find a way to resolve this problem, but I am working on it. In the meantime I will list the URL link to the relevant audio file; Copy and paste the link into your browser and hopefully it will take you to the audio file where you can hear the music and download the track if you so desire. When I eventually figure out this problem I will edit these posts and replace the URL link with a player. </span></div>
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<span style="font-family: Verdana, sans-serif;">Looks like we're back to normal now, so I'll be uploading some more material later this week.</span></div>
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<span style="font-family: Verdana, sans-serif;">Down to business now, recently Lula Bell Si's name has cropped up on a couple of blogs (one of which was <i><b>somelocalloser</b></i>). Nice to see her material reaching a wider audience, and her HAMILTON recordings are jolly good and deserve to be heard by more people. Lesser know is her solitary CACTUS offering, relatively obscure but quite a gem.</span></div>
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<br />HILLBILLY RESEARCHERhttp://www.blogger.com/profile/14123772521260646493noreply@blogger.com0tag:blogger.com,1999:blog-4279992192873951837.post-87152824639306374332014-05-20T20:21:00.002+01:002014-05-20T20:21:31.133+01:00THE ROGER SISTERS<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">During its relatively short life the Cincinnati based EXCELLENT label put out a fairly decent selection of Country, Bluegrass, and Sacred records. One of the harder ones to track down is the Roger Sisters offering on the label. It's not a hot bopper, nor is it a rockabilly effort, it's just a pleasant female duet reminiscent of The Davis Sisters. In fact if you should ever find yourself at a loose end one day, why not try to count the number Davis Sisters' song titles contained in "My Misery"!</span></div>
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<br />HILLBILLY RESEARCHERhttp://www.blogger.com/profile/14123772521260646493noreply@blogger.com0tag:blogger.com,1999:blog-4279992192873951837.post-8286281694770441792014-05-12T12:10:00.000+01:002014-05-12T12:24:33.810+01:00JESS WILLARD<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">The BEAR FAMILY CD "Honky Tonk Hardwood Floor" (BCD 16256 AH) contains Jess Willard's complete CAPITOL collection, including the unissued recordings, plus both sides of his sole offering on the EKKO label. This was not the sum total of Willard's recorded output, he also had releases on G&G, and SUNDOWN. Although I have not as yet managed to track down a copy </span><span style="font-family: Verdana, sans-serif;">of his SUNDOWN record,</span><span style="font-family: Verdana, sans-serif;">. I was under the impression that he had just the one release on G&G and that was when the label had adopted the KA-HI name, but there were in fact at least two records on the label by Willard. I am indebted to Joe Watson for drawing my attention to what appears to be his first effort for the label, a subtle reworking of "Hillbilly Heaven" in which his old buddy Jack Guthrie features centre stage. Does anyone have any idea who Bill, Red, Art and Steve, collectively known as The Melody Boys, were?</span></div>
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<span style="font-family: Verdana, sans-serif;">For more Jess Willard material search the older posts (6th June 2010)</span></div>
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HILLBILLY RESEARCHERhttp://www.blogger.com/profile/14123772521260646493noreply@blogger.com1tag:blogger.com,1999:blog-4279992192873951837.post-70819384572792712532014-04-29T20:09:00.002+01:002014-04-29T20:17:39.244+01:00SNUFFY SMITH on SNUFFY SMITH!<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">A nice little custom disc out of San Angelo, interestingly it is a 4 STAR pressing with both sides given 4 STAR master numbers (4* 3172 and 4* 3173). Smith also recorded for the Dallas based STAR TALENT label, some of which were also pressed by 4 STAR with master numbers, plus a later release on a VOGUE label (not the picture disc label). Record has seen better days and is a wee bit noisy.</span></div>
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<br />HILLBILLY RESEARCHERhttp://www.blogger.com/profile/14123772521260646493noreply@blogger.com1tag:blogger.com,1999:blog-4279992192873951837.post-56969509354790822892014-04-09T19:15:00.002+01:002014-04-09T19:37:14.767+01:00PEG MORELAND "Saturday Night Shindig"<br />
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<span lang="EN-US"><span style="font-family: Verdana, sans-serif; font-size: large;">"SATURDAY NIGHT SHINDIG"</span></span></div>
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<span lang="EN-US"><span style="font-family: Verdana, sans-serif; font-size: large;">W.F.F.A DALLAS</span></span></div>
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<span style="font-family: Verdana, sans-serif;">(Left) LITTLE WILLIE (BEN McCLESKY)</span><br />
<span style="font-family: Verdana, sans-serif;">(Right) MC POP MYERS</span></div>
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<span style="font-family: Verdana, sans-serif;">(Left) JEANNIE McDONALD</span><br />
<span style="font-family: Verdana, sans-serif;">(Right) PEG MORELAND</span></div>
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<span style="font-family: Verdana, sans-serif;">AIRSHOT c. 1950</span></div>
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<span style="font-family: Verdana, sans-serif;">Courtesy of Dave Barnes (BACM)</span></div>
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HILLBILLY RESEARCHERhttp://www.blogger.com/profile/14123772521260646493noreply@blogger.com1