WELCOME

The term Hillbilly used here is designed
as a generic term to describe Country & Western Music of the nineteen
forties and fifties. Feel free to use any of the information contained herein for what ever
purpose you deem appropriate; however, please acknowledge The Hillbilly
Researcher, and any individual who contributed information used to compile
these listings.
If you wish to reproduce any
photograph that is contained in the Blogg, please check first with the
individual who supplied the original. This does not apply to label scans which
you are most welcome to copy and use.

Feedback is most welcome, as are any
additions or corrections to the published listings. Check back on earlier
listings as they are updated when new information is received. Also click on
the Comments button, some great feedback coming through, Thanks to everyone who
has taken the time to contribute, especially Johan for the BILLBOARD data.


Search This Blog

Wednesday 30 October 2013

RUSTY McDONALD - Something Different!


This offering by Rusty McDonald, from late 1954 or early 1955, is something of an enigma. What was Virginia Richmond (the label owner) trying to archive with these recordings? Obviously McDonald, who is credited as writing both songs, crafted the material to be aimed at the R&B market,. there was no attempt at trying to fuse R&B with Hillbilly / Western Swing, Whilst Rusty McDonald's performance is exemplary, however, in the final analysis McDonald was just another vocalist fronting Maxwell Davis' band. That statement is not meant to demean either McDonald, or Maxwell Davis and his band, it's just that to be brutally honest, it could be anyone of a number of vocalists black or white fronting the band.








Sunday 27 October 2013

PAPA CARIO - B&C RECORDS


The choice of the letters B and C for the name of the label, perhaps derives from the initial letter of the surnames of songwriter A. R. Bossley and Papa Cario?




Sunday 13 October 2013

Saturday 5 October 2013

BILL PENTZ aka BILL PENCE


Bill Pentz appears to be the Bill Pence who recorded for the ROUND-UP label, which seems to have been connected to the Pittsburgh, Pennsylvania based FEE BEE label. Interestingly, Pence recorded "Too Late For Tears" for ROUND-UP, however, the songwriting credits are totally different to those credited on the version recorded at Orner's studio.