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The term Hillbilly used here is designed
as a generic term to describe Country & Western Music of the nineteen
forties and fifties. Feel free to use any of the information contained herein for what ever
purpose you deem appropriate; however, please acknowledge The Hillbilly
Researcher, and any individual who contributed information used to compile
these listings.
If you wish to reproduce any
photograph that is contained in the Blogg, please check first with the
individual who supplied the original. This does not apply to label scans which
you are most welcome to copy and use.

Feedback is most welcome, as are any
additions or corrections to the published listings. Check back on earlier
listings as they are updated when new information is received. Also click on
the Comments button, some great feedback coming through, Thanks to everyone who
has taken the time to contribute, especially Johan for the BILLBOARD data.


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Sunday, 19 October 2014

RAYMOND WEBB on RICH-R'-TONE

The RICH-R'-TONE label, in its original incarnation, was a fascinating concern that turned out a esoteric selection of releases during the late forties and early fifties. Known primarily for its Bluegrass offerings, the label did release material from across the Country Music spectrum. Here is one of the later issues, an odd beast, which celebrates the musical diversity that was to be found on the label, Raymond Webb later had a release on KYVA, however, that was more mainstream Hillbilly. I just love the pianist, who may or may not be John Henry Eston, the composer of "Bucket Special".






Saturday, 11 October 2014

JACK CARDWELL - JIM FOLSOM Campaign Songs

Alabama state Governor "Big" Jim Folsom was first elected to office in January 1947, his four year term ending in January 1951. Folsom served a second term as Governor from 1955 to 1959. In 1962 he stood again, but was defeated in the primaries by George Wallace, who then went on to be elected as Governor. Prior to Folsom's run off against George Wallace Jack Cardwell recorded two campaign songs in 1962 for Folsom. The first was a single sided King Custom pressed disc on the LE NOIR label on which Cardwell was accompanied by Luke McDaniel and his band. Although the record label states that the recording is three minutes long, in reality the song only runs for one minute thirty six seconds. The second song was a commercial release issued on the Alabama CINEMA label, the flip side of this release was by Roland Johnson, who turns in a decent rendition of Arlie Duff's "Y'All Come".








Sunday, 5 October 2014

THE MILLER BROTHERS - SOME EARLY RECORDINGS

Before recording for the 4 STAR label, the Miller Brothers made a dozen sides for a DELTA Label, first in Dallas, and then (later) in Wichita Falls. Here we have the four sides, recorded around 1947, at the ULTRA TONE Recording Studios in Dallas. According to Prague Franks' Miller Brothers discography  the band's line up was  Jay Starnes (Vocal – where noted). Sam Gibbs (Guitar), Leon Gibbs (Fiddle), Nat Gibbs (Bass), Lee Cochran (Trumpet), Forrest Fulcher (Sax), Clyde Smith (Sax), Pauline Fulcher (Piano), Bob Steed (Drums).


Dead Wax DR 101





Dead Wax DR 102


NOTE - FOLLOWING AUDIO FILES ARE NOISY



Dead Wax DR 103




Dead Wax DR 104


Thanks To Phil Tricker

MILLER BROTHER DISCOGRAPHY

countrydiscography.blogspot.com/2012/05/miller-brothers.html